"Girl reading comic book in newsstand" by Teenie Harris (c. 1940-1945) © 2006 Carnegie Museum of Art, Pittsburgh

For over 40 years Charles “Teenie” Harris documented life in and around Pittsburgh’s Hill District for the influential black newspaper the Pittsburgh Courier. Affectionately called “One Shot” due to the brisk manner in which he photographed his subjects, Harris spent as much time shooting the everyday people of the neighborhood as he did the famous people who visited it. With close to 80,000 negatives in his archive, he is said to have best captured the urban African-American experience during the 20th century.

The Carnegie Museum of Art acquired Harris’s archive in 2001 and set out preserving, cataloguing and digitizing the images. The museum is currently exhibiting the first major retrospective of his work, “Teenie Harris, Photographer: An American Story.” The exhibit includes a life-size projection of close to 1,000 of Harris’s images set to an original jazz score; a chronological display featuring small prints of those same images; and a mini-exhibit of 12 16 x 20-inch prints selected by various experts. The exhibit will stay in Pittsburgh through April 7 and then move on to the Harold Washington Library Center in Chicago, the Birmingham Civil Rights Institute and the Atlanta University Center Robert W. Woodruff Library.

"Duke Ellington at piano, with dancer Honey Coles and Billy Strayhorn looking on, in the Stanley Theatre" by Teenie Harris (c. 1942-1943) © 2006 Carnegie Museum of Art, Pittsburgh

"Woman outside Kay’s Valet Shoppe" by Teenie Harris (c. 1938–1945) © 2006 Carnegie Museum of Art, Pittsburgh

"Soldiers from the 372nd Infantry marching in parade, Fifth Avenue, Downtown" by Teenie Harris (c. July 1942) © 2006 Carnegie Museum of Art, Pittsburgh

"Three men and a woman at a restaurant counter" by Teenie Harris (c. 1948–1960) © 2006 Carnegie Museum of Art, Pittsburgh

"Protesters with UNPC signs outside United Mine Safety Appliance Company, Braddock Avenue, Homewood" by Teenie Harris (c. October 1963) © 2006 Carnegie Museum of Art, Pittsburgh

"Lena Horne reflected in mirror in dressing room at Stanley Theatre" by Teenie Harris (c. 1944) © 2006 Carnegie Museum of Art, Pittsburgh

"Roland M. Sawyer and Aileen Eckstein Sawyer posed on their wedding day on steps of The Thimble Shop, 5913 Bryant Street, Highland Park" by Teenie Harris (c. August 1938) © 2006 Carnegie Museum of Art

“Melvin Moore, 2008″ © Ellen Susan

Photographer Ellen Susan makes portraits of active-duty soldiers in the US Army using the wet plate collodion process, the primary photographic method used during the Civil War. Her portraits are included in “surFACE: Contemporary Wet Plate Collodion Portraiture,” now on view at Photo Center NW in Seattle. The show features tintypes and ambrotypes by five contemporary photographers who use the nineteenth-century wet plate technique:  Ellen Susan, Daniel Carrillo, Robb Kendrick, Jenny Sampson and Joni Sternbach.

Susan, who lives near two major Army installations, uses the deliberative, careful process to show members of the military in a way that invites a second look. The slow process requires her subjects to remain still for up to 60 seconds, gazing intently at the camera. Each detailed, grainless ambrotype she produces,  PCNW notes, “engages viewers in a manner that is distinct from the casually made, ephemeral images that have become so familiar.”

The exhibition is on view at PCNW through February 12.

© Herb Ritts Foundation. Man with Chain, Los Angeles, 1985. The J. Paul Getty Museum, Los Angeles, 2011.19.11

Herb Ritts was considered one of the most important photographers to emerge during the 1980s. He had a distinctive sense of style, and the visual dexterity to stand out for both his personal work (which helped revive the genre of male nudes) and the fashion and portraiture of his commercial photography. From the late 1970s until his death in 2002, Ritts’s ability to bridge the gap between art and commerce was not only a testament to his imagination and technical skill, but also reflected the blending of art, popular culture, and business that followed the Pop Art movement of the 1960s and 1970s. Herb Ritts: L.A. Style (Getty Publications, April 2012) traces the life and career of the iconic photographer through his renowned images, as well as some of his unpublished work. An exhibition will be on view at the Getty Center from April 3 through August 12, 2012; at the Cincinnati Art Museum from October 6 through December 30, 2012; and at the John and Mable Ringling Museum of Art in Sarasota, Florida, from February 23 through May 19, 2013.

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© Ryan McGinley. Above: Brennan (Blue), 2007.

Ryan McGinley‘s premier retrospective monograph, You and I recently released by Twin Palms Publishers creates a portrait of a generation that is savvy about visual culture and acutely aware of how identity can be communicated through photography.

-courtesy Twin Palms Publishers.

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All photos © Tina Barney/Janet Borden Inc. Above: “The Brothers in the Kitchen, 2004″ from “The Europeans.”

“The Europeans: Photographs by Tina Barney” opens today at The Haggerty Museum of Art at Marquette University in Milwaukee, Wisconsin. This exhibition provides an intimate look at wealthy Europeans at home through the eyes of American photographer Tina Barney (b. 1945). Known for her large, lush and colorful photographs, Barney began capturing images of friends and family in 1975 and quickly gained art-world attention for her often candid, tableau-like images. To produce the works in this exhibition, Barney embarked on her own modern version of the Grand Tour of Europe between 1996 and 2004. She traveled to Austria, Italy, England, Spain, France and Germany, photographing people of means who earlier would have commissioned painted portraits of themselves. The exhibition presents 20 works from the series including a 2010 Haggerty acquisition, “The Daughters.” The Haggerty exhibition of “The Europeans“ is the first time a large selection from the series has been seen in an American museum. – Courtesy The Haggerty Museum of Art

Learn more about Tina Barney’s beginnings from her conversation with Gillian Laub for PDN‘s Heroes & Mentors issue.

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