The Museum of Modern Art’s exhibit on Eugène Atget is named after the sign that hung outside of the photographer’s studio door, which simply said “Documents pour artistes” (Documents for Artists). Atget photographed Paris over the course of his 30-year career with the artist in mind, often capturing detail-rich scenes like an abandoned park or rural courtyard that could serve as source material for painters and others. Taking care to avoid cliché sites such as the Eiffel Tower, Atget instead “focused on the fabric of the city,” including parks, street scenes, store displays and building facades. The rare times Atget did photograph his fellow Parisians, he focused his camera on those living on the fringes of society: street merchants, Gypsies and prostitutes.

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