“Harlem, NY,” 1947. © Henri Cartier-Bresson

Though Henri Cartier-Bresson did not craft his photographic career by honing the advancements made to the medium by the advent of color film (he believed the color film of the 1950s to be too technically and esthetically limiting), other photographers carried the torch in understanding how to capture “the decisive moment” in hues that echo reality. “Cartier-Bresson: A Question of Colour,” on view until Sunday at the Somerset House in London, is a group exhibition that includes the work from photographers such as Ernst Haas, Fred Herzog, Joel Meyerowitz and Alex Webb, who brought Cartier-Bresson’s formal elements of photojournalism to life in vivid color. The exhibition includes ten photographs by Cartier-Bresson never before exhibited in the UK and 75 images from 14 internationally-recognized photographers.

–Lindsay Comstock

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All photos © Ben Roberts. Tent Interiors from the Occupy LSX camp, St. Paul’s Square, London.

British photographer, Ben Roberts’s latest series “Occupied Spaces” shows an intimate look at the private spaces of occupiers at the protest camp outside of St Paul’s Cathedral in central London. The project began in response to stories Roberts heard in the mainstream media claiming that “thermal imaging” proved only 10 percent of the 250 tents in St. Paul’s Square were being inhabited overnight. Skeptical of these claims, Roberts set out to record the daily life of an occupier without, as he says, “resorting to the standard photographic language of ‘protest photography.’ The traces of activity and inhabitance in these photographs serve as a document of the intense utilisation of a limited space by a large number of both permanent and temporary residents.” Roberts’s series was recently featured on the BBC. (more…)